{"id":636,"date":"2025-11-22T12:12:23","date_gmt":"2025-11-22T09:12:23","guid":{"rendered":"https:\/\/mehmetkirtorun.com\/?p=636"},"modified":"2025-11-22T12:19:57","modified_gmt":"2025-11-22T09:19:57","slug":"abid-selamenin-hayatindan-bir-gun-milad-oldu-peki-vicdanlar","status":"publish","type":"post","link":"http:\/\/mehmetkirtorun.com\/index.php\/2025\/11\/22\/abid-selamenin-hayatindan-bir-gun-milad-oldu-peki-vicdanlar\/","title":{"rendered":"Milad \u00d6ld\u00fc, Peki Vicdanlar?"},"content":{"rendered":"\n
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Nathan\u00a0Thrall\u2019\u0131n\u00a0kelimeleri, sessiz bir \u00e7\u0131\u011fl\u0131k gibi Kud\u00fcs\u2019\u00fcn dar sokaklar\u0131ndan y\u00fckselir; bir halk\u0131n k\u0131r\u0131lgan hik\u00e2yesini, b\u00fcy\u00fck bir trajedinin yank\u0131lar\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Kud\u00fcs\u2019te ya\u015fayan bir Yahudi Amerikal\u0131 olarak, \u00e7a\u011fda\u015f \u0130srail-Filistin \u00e7at\u0131\u015fmas\u0131n\u0131n en derin karma\u015falar\u0131n\u0131 ele al\u0131rken, ger\u00e7ekli\u011fi oldu\u011fu gibi, ne abartarak ne de basitle\u015ftirerek okuyucuya ta\u015f\u0131r.\u00a0Thrall\u2019\u0131n\u00a0yaz\u0131lar\u0131nda, \u00e7at\u0131\u015fman\u0131n a\u015fik\u00e2r dram\u0131ndan ziyade, hayat\u0131n g\u00f6zden ka\u00e7an detaylar\u0131, kaybedilen \u00e7ocukluklar ve unutulan hik\u00e2yeler i\u015flenir.\u00a0Bu da eseri, yaln\u0131zca bir bireyin trajedisi olarak de\u011fil, ayn\u0131 zamanda \u0130srail i\u015fgalinin g\u00f6lgesinde ya\u015fayan milyonlarca Filistinlinin hik\u00e2yesinin sembol\u00fc haline getirir.\u00a0Nathan\u00a0Thrall, bir gazeteci olarak ger\u00e7eklerin izini s\u00fcrerken, bir yazar olarak bu ger\u00e7ekleri edebiyat\u0131n g\u00fcc\u00fcyle \u00f6l\u00fcms\u00fczle\u015ftirir. Onun metinleri, okuyucuyu sorgulamaya, tan\u0131kl\u0131k etmeye ve en \u00f6nemlisi hat\u0131rlamaya \u00e7a\u011f\u0131r\u0131r. \u00c7\u00fcnk\u00fc unutmak, yaln\u0131zca insanl\u0131k onurundan bir par\u00e7a daha eksiltir.\u00a0Nathan\u00a0Thrall\u2019\u0131n\u00a0yaz\u0131lar\u0131, yaln\u0131zca bir \u00e7at\u0131\u015fman\u0131n de\u011fil, insanl\u0131k onurunun s\u0131nand\u0131\u011f\u0131 bir d\u00f6nemin kayd\u0131d\u0131r. Bu eserler, tarihin sessiz kalm\u0131\u015f \u00e7\u0131\u011fl\u0131klar\u0131n\u0131 duyurur ve bizlere, her bireysel hik\u00e2yenin ard\u0131nda evrensel bir \u00e7a\u011fr\u0131 oldu\u011funu hat\u0131rlat\u0131r.<\/p>\n\n\n\n

Nathan Thrall\u2019\u0131n yaz\u0131lar\u0131nda ideolojik \u00f6nyarg\u0131lar\u0131n yaratt\u0131\u011f\u0131 sis bulutuna yer yoktur. Bir Filistinli baban\u0131n kaybetti\u011fi \u00e7ocu\u011fa tuttu\u011fu yas, yaln\u0131zca bireysel bir ac\u0131 de\u011fil, ayn\u0131 zamanda bir halk\u0131n sessiz \u00e7\u0131\u011fl\u0131d\u0131r.<\/p>\n\n\n\n

Thrall, Milad Sel\u00e2me\u2019nin hik\u00e2yesini anlat\u0131rken, okuyucuyu yaln\u0131zca bir kazan\u0131n tan\u0131\u011f\u0131 olmaya de\u011fil, bu kazay\u0131 ka\u00e7\u0131n\u0131lmaz k\u0131lan ayr\u0131mc\u0131l\u0131k mekanizmalar\u0131n\u0131 da sorgulamaya davet eder. Bat\u0131 \u015eeria\u2019n\u0131n k\u00f6t\u00fc durumdaki yollar\u0131, Kud\u00fcs\u2019\u00fcn Filistinli mahallelerini kesen ayr\u0131m duvarlar\u0131 ve politik kararlar\u0131n so\u011fuk etkileri\u2026<\/p>\n\n\n\n


\u0130deolojiden Ar\u0131nm\u0131\u015f Ger\u00e7eklik<\/strong>: Bir Tan\u0131\u011f\u0131n Sesi<\/strong><\/p>\n\n\n\n

2021 y\u0131l\u0131nda Nathan Thrall, The New York Review of Booksi\u00e7in 50 sayfal\u0131k bir makale yay\u0131mlad\u0131. Bu makale, 2012 y\u0131l\u0131n\u0131n \u015eubat ay\u0131nda Kud\u00fcs\u2019\u00fcn eteklerinde meydana gelen ve be\u015f ya\u015f\u0131ndaki Milad Sel\u00e2me ile birka\u00e7 okul arkada\u015f\u0131n\u0131n hayat\u0131n\u0131 kaybetti\u011fi trajik bir otob\u00fcs kazas\u0131n\u0131 konu al\u0131yordu. Makale, yaln\u0131zca o trajik g\u00fcn\u00fc anlatmakla kalm\u0131yor, ayn\u0131 zamanda zaman i\u00e7inde ileri ve geri giderek daha geni\u015f bir tarihsel ba\u011flam\u0131 ele al\u0131yor ve Milad\u2019\u0131n ailesinin yas s\u00fcrecine odaklan\u0131yordu.<\/p>\n\n\n\n

Ge\u00e7ti\u011fimiz y\u0131l yay\u0131mlanan \u00c2bid Sel\u00e2me\u2019nin Hayat\u0131ndan Bir G\u00fcn, bu \u00e7arp\u0131c\u0131 makaleden yola \u00e7\u0131k\u0131larak yaz\u0131lm\u0131\u015f bir kitapt\u0131r. Kitap, Milad\u2019\u0131n babas\u0131 \u00c2bid Sel\u00e2me\u2019n\u0131n hayat hik\u00e2yesini detayl\u0131 bir \u015fekilde ele al\u0131rken, onun ya\u015fad\u0131klar\u0131 arac\u0131l\u0131\u011f\u0131yla i\u015fgal ve apartheid ko\u015fullar\u0131 alt\u0131nda ya\u015fayan milyonlarca Filistinlinin hik\u00e2yesini de g\u00f6zler \u00f6n\u00fcne seriyor. Eser, New York Times Kitap Ele\u015ftirisi Edit\u00f6rlerinin Se\u00e7imi olarak se\u00e7ilmi\u015f ve The New Yorker, Time Magazine, The Economist gibi 15 farkl\u0131 yay\u0131n taraf\u0131ndan y\u0131l\u0131n en iyi kitab\u0131 olarak g\u00f6sterilmi\u015ftir. Ayr\u0131ca, 2024 y\u0131l\u0131nda Genel Kurgusal Olmayan Kitap dal\u0131nda Pulitzer \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

Nathan Thrall, uzun y\u0131llar boyunca Uluslararas\u0131 Kriz Grubu\u2019nda Arap-\u0130srail Projesi\u2019nin direkt\u00f6rl\u00fc\u011f\u00fcn\u00fc yapm\u0131\u015f ve Bard \u00dcniversitesi\u2019nde dersler vermi\u015ftir. \u00d6zellikle TheEconomist, Financial Times, The Guardian ve The Wall Street Journal gibi sayg\u0131n medya kurulu\u015flar\u0131ndaki haber ve yorumlar\u0131yla tan\u0131nmaktad\u0131r. Yaz\u0131lar\u0131, \u0130srail-Filistin meselesinin \u201cbir devlet\u201d ya da \u201ciki devlet sonras\u0131\u201d ger\u00e7eklik gibi giderek daha fazla kabul edilen parametrelerini belirginle\u015ftirdi\u011fi i\u00e7in s\u0131k\u00e7a \u00f6vg\u00fc toplamaktad\u0131r. Thrall, \u015fu anda Kud\u00fcs\u2019te ya\u015famaktad\u0131r.<\/p>\n\n\n\n

Nathan Thrall\u2019\u0131n yaz\u0131lar\u0131nda, yaln\u0131zca bir analistin so\u011fukkanl\u0131 yakla\u015f\u0131m\u0131 de\u011fil, toplumsal ger\u00e7ekliklerin bireylerin hayatlar\u0131ndaki etkilerini derinlemesine anlamaya \u00e7al\u0131\u015fan bir bak\u0131\u015f a\u00e7\u0131s\u0131 bulunur. Onun kalemi, ideolojinin yaratt\u0131\u011f\u0131 bulan\u0131kl\u0131\u011f\u0131 ortadan kald\u0131r\u0131r ve ger\u00e7ekleri t\u00fcm a\u00e7\u0131kl\u0131\u011f\u0131yla sunar. Thrall\u2019\u0131n eserlerinde ger\u00e7ekler, okuyucuyu korkutacak kadar uzak ya da karma\u015f\u0131k bir \u015fekilde anlat\u0131lmaz; aksine, yal\u0131n ve \u00e7arp\u0131c\u0131 bir bi\u00e7imde ortaya konur. Kendisinin \u00e7al\u0131\u015fmalar\u0131, hem akademik bir derinli\u011fe hem de insani bir hassasiyete sahiptir ve bu nedenle \u00e7a\u011fda\u015f edebiyat ve gazetecilikte \u00f6zel bir yer edinmi\u015ftir.<\/p>\n\n\n\n

Nathan Thrall\u2019\u0131n metinleri, okuyucusunu bilgiyle ku\u015fatmak yerine, empati kurmaya, sorgulamaya ve harekete ge\u00e7meye te\u015fvik eder. Edebiyat\u0131n g\u00fcc\u00fcn\u00fc, unutulmaya y\u00fcz tutmu\u015f ger\u00e7ekleri g\u00f6r\u00fcn\u00fcr k\u0131lmak i\u00e7in kullan\u0131r. Onun kalemi, insanl\u0131\u011f\u0131n karanl\u0131k y\u00fcz\u00fcne tutulan bir ayna gibidir. Hem vicdanlar\u0131 rahats\u0131z eder hem de okuyucuyu derin bir i\u00e7 hesapla\u015fmaya davet eder.<\/p>\n\n\n\n

\u00c2bid Sel\u00e2me\u2019nin Hayat\u0131ndan Bir G\u00fcn, bir bireyin trajedisini toplumsal bir ba\u011flamda ele al\u0131rken, ayn\u0131 zamanda okuyucunun insanl\u0131k vicdan\u0131n\u0131 sorgulamas\u0131na yol a\u00e7ar. Milad Sel\u00e2me\u2019nin hayat\u0131 ve \u00f6l\u00fcm\u00fc, yaln\u0131zca Filistin\u2019in kanayan yaralar\u0131n\u0131n bir yans\u0131mas\u0131 de\u011fil, ayn\u0131 zamanda evrensel bir adalet aray\u0131\u015f\u0131n\u0131n simgesidir.<\/p>\n\n\n\n

Milad Sel\u00e2me\u2019nin hik\u00e2yesiyle ba\u015flayan bu eser, yaln\u0131zca bir \u00e7at\u0131\u015fman\u0131n izlerini de\u011fil, ayn\u0131 zamanda g\u00f6rmezden gelinen bir insanl\u0131k s\u0131nav\u0131n\u0131 da hat\u0131rlat\u0131r. Thrall, bir yazar olarak sadece ger\u00e7ekleri aktarmakla kalmaz; hat\u0131rlaman\u0131n ve unutmaman\u0131n ahlaki bir zorunluluk oldu\u011funu da okuyucusuna derin bir \u015fekilde hissettirir.<\/p>\n\n\n\n


Hat\u0131rlaman\u0131n Y\u00fck\u00fc, Unutman\u0131n Rahatl\u0131\u011f\u0131<\/strong><\/p>\n\n\n\n

\u00c2bid Sel\u00e2me\u2019nin Hayat\u0131ndan Bir G\u00fcn, yaln\u0131zca bir kaza ya da bireysel bir trajediyi anlatmaz. Bu eser, hat\u0131rlaman\u0131n ne kadar a\u011f\u0131r bir y\u00fck oldu\u011funu, ancak unutmaman\u0131n insanl\u0131k i\u00e7in ne kadar \u00f6nemli oldu\u011funu hissettirir. Milad\u2019\u0131n trajik \u00f6l\u00fcm\u00fc, unutulmaya mahk\u00fbm bir hik\u00e2ye de\u011fildir. Nathan Thrall, Milad\u2019\u0131n hat\u0131ras\u0131n\u0131 ve ailesinin yas\u0131n\u0131 yaz\u0131ya d\u00f6kerek, bir halk\u0131n ya\u015fad\u0131\u011f\u0131 adaletsizli\u011fin unutulmaz bir belgesi h\u00e2line getirir.<\/p>\n\n\n\n

Kendi yaz\u0131m s\u00fcrecinde, Milad\u2019\u0131n hik\u00e2yesini k\u0131z\u0131yla \u00f6zde\u015fle\u015ftirdi\u011fini ifade eden ve \u201cBu kitap benim en b\u00fcy\u00fck korkular\u0131mla y\u00fczle\u015fmek gibiydi,\u201d diyen Thrall, bir yazar olarak kendi deneyimini, hik\u00e2yenin i\u00e7inde eriyen bir duygusal yolculu\u011fa d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.<\/p>\n\n\n\n

Nathan Thrall, bir gazeteci olarak ger\u00e7eklerin izini s\u00fcrerken, bir yazar olarak bu ger\u00e7ekleri edebiyat\u0131n g\u00fcc\u00fcyle \u00f6l\u00fcms\u00fczle\u015ftirir. Onun metinleri, okuyucuyu sorgulamaya, tan\u0131kl\u0131k etmeye ve en \u00f6nemlisi hat\u0131rlamaya \u00e7a\u011f\u0131r\u0131r. \u00c7\u00fcnk\u00fc unutmak, yaln\u0131zca insanl\u0131k onurundan bir par\u00e7a daha eksiltir.<\/p>\n\n\n\n

B\u00f6ylesi metinler, tarihin sessiz kalm\u0131\u015f \u00e7\u0131\u011fl\u0131klar\u0131n\u0131 duyurur ve bizlere, her bireysel hik\u00e2yenin ard\u0131nda evrensel bir \u00e7a\u011fr\u0131 oldu\u011funu hat\u0131rlat\u0131r.<\/p>\n\n\n\n


Bir Duvar\u0131n Ard\u0131nda: Sistematik E\u015fitsizli\u011fin Mek\u00e2nsal Temsili<\/strong><\/p>\n\n\n\n

Kitap, 2012 y\u0131l\u0131nda Kud\u00fcs\u2019te meydana gelen ve alt\u0131 Filistinli \u00e7ocu\u011fun \u00f6l\u00fcm\u00fcne neden olan bir okul otob\u00fcs\u00fc kazas\u0131n\u0131n hik\u00e2yesini anlat\u0131yor. Bu \u00e7ocuklar aras\u0131nda, \u00c2bid Sel\u00e2me\u2019n\u0131n 5 ya\u015f\u0131ndaki o\u011flu Milad Sel\u00e2me de bulunuyordu. Ancak bu trajedi, Thrall\u2019\u0131n ikna edici bir \u015fekilde savundu\u011fu gibi, basit bir \u201ckaza\u201d de\u011fildi. Bu olay, \u0130srail\u2019in Kud\u00fcs\u2019\u00fcn Filistinli n\u00fcfusunu marjinalle\u015ftirmeyi ve b\u00f6lge \u00fczerindeki kontrol\u00fcn\u00fc peki\u015ftirmeyi ama\u00e7layan on y\u0131llar s\u00fcren politikalar\u0131n\u0131n bir sonucuydu. Thrall, mek\u00e2nsal ger\u00e7ekli\u011fi yaln\u0131zca bir arka plan olarak de\u011fil, toplumsal adaletsizli\u011fin somut bir temsili olarak ele al\u0131r. Bu y\u00f6n\u00fcyle kitap, bir kazan\u0131n \u00f6tesinde, Filistin halk\u0131n\u0131n maruz kald\u0131\u011f\u0131 sistematik ayr\u0131mc\u0131l\u0131\u011f\u0131 ve bu ayr\u0131mc\u0131l\u0131\u011f\u0131n bireylerin hayatlar\u0131nda b\u0131rakt\u0131\u011f\u0131 izleri kapsaml\u0131 bir \u015fekilde g\u00f6zler \u00f6n\u00fcne serer.<\/p>\n\n\n\n

Milad\u2019\u0131n hayat\u0131 ve babas\u0131 \u00c2bid Sel\u00e2me\u2019nin yas s\u00fcreci, i\u015fgal alt\u0131ndaki bir halk\u0131n g\u00fcndelik direni\u015fini ve hayatta kalma \u00e7abas\u0131n\u0131 anlatan sembolik bir hik\u00e2yeye d\u00f6n\u00fc\u015f\u00fcr. Thrall, okuyucuyu zaman\u0131n i\u00e7inde ileri ve geri g\u00f6t\u00fcrerek kazan\u0131n arka plan\u0131ndaki karma\u015f\u0131kl\u0131\u011f\u0131 anlamaya davet eder. Bu anlat\u0131m, yaln\u0131zca bir olay \u00f6rg\u00fcs\u00fc de\u011fil, Filistin\u2019in tarihsel bir ele\u015ftirisidir; adaletsizlikle \u00f6r\u00fclm\u00fc\u015f bir co\u011frafyan\u0131n insan hik\u00e2yelerini merkezine al\u0131r.<\/p>\n\n\n\n


Bir Felaketin K\u00fclleri: Kurtarma \u00c7abalar\u0131n\u0131n Ac\u0131 Anlat\u0131s\u0131<\/strong><\/p>\n\n\n\n

Kazan\u0131n ya\u015fand\u0131\u011f\u0131 g\u00fcn, Filistinli anaokulu \u00f6\u011frencilerinin e\u011flence park\u0131na gitmek i\u00e7in heyecanla yola \u00e7\u0131kt\u0131\u011f\u0131 bir sabaht\u0131. Ancak k\u0131sa s\u00fcrede bu heyecan yerini tarifsiz bir ac\u0131ya b\u0131rak\u0131r. Kaza, b\u00f6lgede ya\u015fanan kas\u0131tl\u0131 ihmalin ve yap\u0131sal e\u015fitsizli\u011fin ka\u00e7\u0131n\u0131lmaz bir sonucu gibi g\u00f6r\u00fcn\u00fcr. Dar ve bak\u0131ms\u0131z yollar, acil durum hizmetlerine eri\u015fimin imk\u00e2ns\u0131zl\u0131\u011f\u0131 ve ya\u015fam alanlar\u0131n\u0131 \u00e7evreleyen ayr\u0131m duvarlar\u0131, \u00e7ocuklar\u0131n hayat\u0131n\u0131 kurtarmak i\u00e7in verilen m\u00fccadeleyi trajik bir s\u0131n\u0131r\u0131n \u00f6tesine ta\u015f\u0131r.<\/p>\n\n\n\n

Thrall, olay\u0131n ard\u0131ndan ger\u00e7ekle\u015fen kurtarma \u00e7al\u0131\u015fmalar\u0131n\u0131 anlat\u0131rken yaln\u0131zca bu trajedinin fiziksel boyutlar\u0131na de\u011fil, ayn\u0131 zamanda ahlaki ve insani y\u00f6nlerine de derin bir \u015fekilde e\u011filiyor. Yard\u0131m \u00e7abalar\u0131n\u0131n b\u00fcy\u00fck \u00f6l\u00e7\u00fcde yoldan ge\u00e7en Filistinliler taraf\u0131ndan y\u00fcr\u00fct\u00fclmesi ve \u0130srail\u2019in acil servislerinin b\u00f6lgeye ancak askeri bir e\u015flik ile girebilmesi, okuyucuya bu toplulu\u011fun kaderine terk edilmi\u015fli\u011fini keskin bir \u015fekilde hat\u0131rlat\u0131yor.<\/p>\n\n\n\n

Bir di\u011fer \u00e7arp\u0131c\u0131 ayr\u0131nt\u0131 ise kazan\u0131n ge\u00e7ti\u011fi yerin Bat\u0131 \u015eeria\u2019n\u0131n C B\u00f6lgesi\u2019nde bulunmas\u0131. \u0130srail\u2019in tam idari ve g\u00fcvenlik kontrol\u00fc alt\u0131ndaki bu alan, Filistinliler i\u00e7in ya\u015fam\u0131n her alan\u0131nda bir t\u00fcr g\u00f6r\u00fcnmez engel olarak varl\u0131\u011f\u0131n\u0131 hissettiriyor. Kendi evine bir balkon eklemek isteyen bir bireyin dahi \u0130srail\u2019den izin almak zorunda oldu\u011fu; bu izinlerin b\u00fcy\u00fck oranda reddedildi\u011fi, dahas\u0131 izinsiz yap\u0131lan her yap\u0131n\u0131n y\u0131k\u0131ld\u0131\u011f\u0131 bir ger\u00e7eklik\u2026 Thrall, bu ko\u015fullar\u0131 yaln\u0131zca bir arka plan olarak sunmakla kalm\u0131yor; kitab\u0131n dokusunda, bu yap\u0131sal e\u015fitsizli\u011fi bireylerin ya\u015fam\u0131na dair detaylarla yo\u011furarak daha da g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n

Kaza sonras\u0131nda ger\u00e7ekle\u015fen kurtarma \u00e7al\u0131\u015fmalar\u0131, Filistin toplumunun kaderine terk edilmi\u015fli\u011fini \u00e7arp\u0131c\u0131 bir \u015fekilde g\u00f6zler \u00f6n\u00fcne serer. Yard\u0131m \u00e7abalar\u0131, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde b\u00f6lge halk\u0131 taraf\u0131ndan y\u00fcr\u00fct\u00fcl\u00fcrken, \u0130srail\u2019in acil servisleri yaln\u0131zca askeri e\u015flik ile b\u00f6lgeye giri\u015f yapabilmi\u015ftir. Kurtarma ekiplerinin, kazazedeleri \u0130srail\u2019in daha iyi donan\u0131ml\u0131 hastanelerine g\u00f6t\u00fcrememesi ve Ramallah\u2019taki s\u0131n\u0131rl\u0131 imkanlara mahk\u00fbm edilmesi, sistematik ayr\u0131mc\u0131l\u0131\u011f\u0131n derinli\u011fini hissettirir.<\/p>\n\n\n\n

Thrall\u2019\u0131n bu sahneleri anlat\u0131m\u0131, yaln\u0131zca fiziksel m\u00fccadeleye de\u011fil, bu m\u00fccadelenin insani boyutuna da \u0131\u015f\u0131k tutar. \u00d6rne\u011fin, kazazedelerin kimliklerini te\u015fhis etmeye \u00e7al\u0131\u015fan ailelerin \u00e7aresiz sorular\u0131 ve duygusal \u00e7\u00f6k\u00fc\u015fleri, okuyucunun y\u00fcre\u011fine i\u015fler. Bir baban\u0131n, \u00e7ocu\u011funu tarif ederken \u201c\u00d6r\u00fcmcek Adam \u00e7antal\u0131 bir o\u011flum vard\u0131,\u201d demesi ya da bir annenin, \u201cSar\u0131 kurdeleli k\u0131z\u0131m\u0131 g\u00f6rd\u00fcn\u00fcz m\u00fc?\u201d diye hayk\u0131r\u0131\u015f\u0131, hem trajedinin ki\u015fisel boyutunu hem de toplumsal adaletsizli\u011fin etkilerini derinle\u015ftirir.<\/p>\n\n\n\n

Eserin en sars\u0131c\u0131 b\u00f6l\u00fcmlerinden biri, kazadan sonraki kurtarma \u00e7al\u0131\u015fmalar\u0131n\u0131 konu alan pasajlard\u0131r. Burada, sabah i\u015fe giderken ara\u00e7lar\u0131n\u0131 kenara \u00e7ekerek yard\u0131m etmeye \u00e7al\u0131\u015fan Filistinlilerin \u00e7aresizli\u011fiyle, UNRWA\u2019dan Dr. Huda Dhur gibi bireylerin trajedi kar\u015f\u0131s\u0131ndaki insan\u00fcst\u00fc \u00e7abalar\u0131 bir araya gelir. Bu anlar, yaln\u0131zca ac\u0131n\u0131n b\u00fcy\u00fckl\u00fc\u011f\u00fcn\u00fc de\u011fil, dayan\u0131\u015fman\u0131n ve insani yard\u0131m\u0131n s\u0131n\u0131rl\u0131 ama anlaml\u0131 etkisini de okuyucuya hissettirir.<\/p>\n\n\n\n

Kaza yerindeki kaos ve travma, olay\u0131n hemen ard\u0131ndan ya\u015fananlar\u0131n merkezinde. UNRWA\u2019dan Dr. Huda Dhur ve ekibi, alevler i\u00e7inde kalan otob\u00fcs\u00fcn \u00e7evresinde, kurtar\u0131labilecek hayatlar\u0131 kurtarmak i\u00e7in zamana kar\u015f\u0131 m\u00fccadele ederken, insan dayan\u0131\u015fmas\u0131n\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorluyor. Yanmakta olan otob\u00fcs\u00fcn k\u0131r\u0131k camlar\u0131ndan d\u0131\u015far\u0131 ta\u015fan duman ve alevler, yaln\u0131zca fiziksel bir tehlike de\u011fil, toplulu\u011fun y\u0131llard\u0131r maruz kald\u0131\u011f\u0131 ihmalin ve adaletsizli\u011fin sembol\u00fc h\u00e2line geliyor. Huda\u2019n\u0131n ve di\u011fer g\u00f6n\u00fcll\u00fclerin \u00e7abalar\u0131, hem bir trajediyle ba\u015f etmenin hem de sistematik bir ayr\u0131mc\u0131l\u0131\u011f\u0131n a\u011f\u0131rl\u0131\u011f\u0131 alt\u0131nda hayatta kalman\u0131n bir tasvirini sunuyor.<\/p>\n\n\n\n

Thrall, kurtarma \u00e7al\u0131\u015fmalar\u0131n\u0131 anlat\u0131rken, yaln\u0131zca fiziksel bir m\u00fccadeleyi de\u011fil, bu m\u00fccadeleyi \u015fekillendiren yap\u0131sal e\u015fitsizli\u011fi de okurun g\u00f6zleri \u00f6n\u00fcne seriyor. \u00d6rne\u011fin, kazazedelerin daha iyi donan\u0131ma sahip Kud\u00fcs hastanelerine eri\u015fememesi, mavi ve ye\u015fil kimlik kartlar\u0131n\u0131n yaratt\u0131\u011f\u0131 ayr\u0131mc\u0131l\u0131\u011f\u0131n keskin bir \u00f6rne\u011fi olarak sunuluyor. Yan\u0131k kurbanlar\u0131n\u0131n yaln\u0131zca Ramallah\u2019taki hastanelere g\u00f6t\u00fcr\u00fclmek zorunda kalmas\u0131, bir trajedinin \u00e7ok daha geni\u015f bir toplumsal ba\u011flamda nas\u0131l \u015fekillendi\u011fini g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n\n\n\n

Salam gibi kurtar\u0131c\u0131lar\u0131n fedak\u00e2rl\u0131klar\u0131 ve \u00e7aresizlik anlar\u0131ndaki duygusal \u00e7\u00f6k\u00fc\u015fleri, kitab\u0131n en dokunakl\u0131 sahnelerinden birini olu\u015fturuyor. Salam\u2019\u0131n alevler i\u00e7inde kalan otob\u00fcsten son bir \u00e7ocu\u011fu daha \u00e7\u0131karma \u00e7abas\u0131 ve ard\u0131ndan ya\u015fad\u0131\u011f\u0131 derin su\u00e7luluk hissi, insan do\u011fas\u0131n\u0131n karma\u015f\u0131kl\u0131\u011f\u0131n\u0131 ve trajedinin duygusal yank\u0131lar\u0131n\u0131 ustal\u0131kla yans\u0131t\u0131yor. Thrall, bu sahnelerle, bireylerin \u00e7aresizlik kar\u015f\u0131s\u0131ndaki insani reflekslerini ve bir trajedinin onlara y\u00fckledi\u011fi a\u011f\u0131rl\u0131\u011f\u0131 t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla ortaya koyuyor.<\/p>\n\n\n\n

Salam\u2019\u0131n Travmas\u0131: Bir \u0130nsanl\u0131k Dram\u0131 ve Sessiz \u00c7\u0131\u011fl\u0131klar<\/strong><\/p>\n\n\n\n

Kurtarma \u00e7abalar\u0131na b\u00fcy\u00fck bir cesaretle kat\u0131lan Salam\u2019\u0131n yaln\u0131zca fiziksel de\u011fil, derin bir psikolojik travma ile de y\u00fczle\u015fmek zorunda kald\u0131\u011f\u0131n\u0131 g\u00f6steriyor. Salam\u2019\u0131n, otob\u00fcsten kurtard\u0131\u011f\u0131 \u00e7ocuklar\u0131n kokusunu h\u00e2l\u00e2 hissetti\u011fini s\u00f6ylemesi, yaln\u0131zca bir kaza de\u011fil, insanl\u0131k onuruna i\u015flenmi\u015f bir yara olarak yank\u0131lan\u0131yor.<\/p>\n\n\n\n

Salam\u2019\u0131n kazan\u0131n ard\u0131ndan kurtarma ekiplerine ve askerlere y\u00f6neltti\u011fi su\u00e7lamalar, bireysel bir \u00f6fkenin \u00f6tesinde, Filistin toplumunun y\u0131llard\u0131r maruz kald\u0131\u011f\u0131 yap\u0131sal adaletsizli\u011fi hayk\u0131r\u0131yor. Salam\u2019\u0131n, \u201cE\u011fer bu yolun ortas\u0131nda ta\u015f atan iki Filistinli \u00e7ocuk olsayd\u0131, \u0130srail askerleri an\u0131nda burada olurdu. Ama otob\u00fcs dolusu Filistinli \u00e7ocuk yand\u0131\u011f\u0131nda kimse gelmedi,\u201d \u015feklindeki s\u00f6zleri, bir halk\u0131n hissetti\u011fi derin ihmal ve ayr\u0131mc\u0131l\u0131\u011f\u0131n \u00e7arp\u0131c\u0131 bir \u00f6zeti. Thrall, bu t\u00fcr sahnelerle, bireysel bir \u00f6fkeyi toplumsal bir ba\u011flamda i\u015flerken, okuru bu \u00f6fkenin hakl\u0131l\u0131\u011f\u0131n\u0131 sorgulamaya davet ediyor.<\/p>\n\n\n\n

Fakat Salam\u2019\u0131n \u00f6fkesi, yaln\u0131zca adaletsizli\u011fin tan\u0131kl\u0131\u011f\u0131yla s\u0131n\u0131rl\u0131 de\u011fil. Kurtarma s\u0131ras\u0131nda g\u00f6sterdi\u011fi kahramanl\u0131\u011f\u0131n ard\u0131ndan \u0130srail askerlerinden g\u00f6rd\u00fc\u011f\u00fc \u015fiddet, fiziksel ac\u0131ya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcnde bile duygusal travman\u0131n g\u00f6lgesinde kal\u0131yor. Omurgas\u0131nda dislokasyon, b\u00f6breklerinde hasar gibi fiziksel yaralanmalar, onun bedeninde derin izler b\u0131rak\u0131rken, geceleri \u00e7\u0131\u011fl\u0131k atarak uyanmas\u0131 ve s\u00fcrekli yan\u0131k kokusunu hissetti\u011fini s\u00f6ylemesi, travman\u0131n ger\u00e7ek boyutunu ortaya koyuyor. Thrall, Salam\u2019\u0131n ac\u0131 dolu hik\u00e2yesiyle okuru yaln\u0131zca bir bireyin m\u00fccadelesine de\u011fil, bu m\u00fccadelenin insani y\u00fck\u00fcne de ortak ediyor.<\/p>\n\n\n\n

Salam\u2019\u0131n, travmas\u0131n\u0131 haf\u0131za kay\u0131plar\u0131yla ili\u015fkilendirmesi ve bu unutkanl\u0131\u011f\u0131 bir l\u00fctuf olarak g\u00f6rmesi, insan zihninin kendi kendini koruma mekanizmas\u0131n\u0131 sars\u0131c\u0131 bir \u015fekilde ortaya koyuyor. Salam\u2019\u0131n, \u201cHat\u0131rlamak zorunda kalmamak beni delirmekten kurtar\u0131yor,\u201d diyerek ya\u015fad\u0131\u011f\u0131 ac\u0131y\u0131 unutmaya bir s\u0131\u011f\u0131nak olarak sar\u0131lmas\u0131, insan ruhunun hayatta kalma \u00e7abas\u0131n\u0131 yans\u0131t\u0131yor. Thrall, bu t\u00fcr detaylarla, bireysel bir hik\u00e2yeyi evrensel bir insanl\u0131k portresine d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.<\/p>\n\n\n\n

Milad\u2019\u0131n Hik\u00e2yesi: Unutman\u0131n G\u00f6lgesinde Hat\u0131rlamak<\/strong><\/p>\n\n\n\n

Milad Sel\u00e2me\u2019nin trajedisi, yaln\u0131zca bir \u00e7ocu\u011fun \u00f6l\u00fcm\u00fc de\u011fil, hat\u0131rlaman\u0131n ve unutmaman\u0131n y\u00fck\u00fc \u00fczerine bir hik\u00e2yedir. Nathan Thrall, Milad\u2019\u0131n babas\u0131 \u00c2bid Sel\u00e2me\u2019nin ya\u015fad\u0131\u011f\u0131 derin travmay\u0131, bireysel bir yas\u0131n \u00f6tesine ta\u015f\u0131yarak evrensel bir sorgulamaya d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. \u00c2bid\u2019in, \u201cHat\u0131rlamak zorunda kalmamak beni delirmekten kurtar\u0131yor,\u201d ifadesi, insan\u0131n ac\u0131 kar\u015f\u0131s\u0131ndaki savunma mekanizmalar\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne serer.<\/p>\n\n\n\n

Thrall, bireysel bir travmay\u0131 i\u015flerken, bir halk\u0131n toplumsal haf\u0131zas\u0131na da dikkat \u00e7eker. Salam\u2019\u0131n \u00f6fkesi, yaln\u0131zca bir baba olarak ya\u015fad\u0131\u011f\u0131 kay\u0131ptan de\u011fil, Filistin toplumunun sistematik olarak maruz kald\u0131\u011f\u0131 ihmal ve ayr\u0131mc\u0131l\u0131ktan kaynaklan\u0131r. \u201cOtob\u00fcs dolusu Filistinli \u00e7ocuk yand\u0131\u011f\u0131nda kimse gelmedi,\u201d diyerek dile getirdi\u011fi bu ac\u0131 ger\u00e7ek, Filistin halk\u0131n\u0131n sessiz \u00e7\u0131\u011fl\u0131\u011f\u0131n\u0131 d\u00fcnyaya duyurur.<\/p>\n\n\n\n

Huda\u2019n\u0131n, \u00e7ocuklar\u0131n kimliklerini te\u015fhis edemedi\u011fini s\u00f6ylemesi, yaln\u0131zca fiziksel hasar\u0131n de\u011fil, insan onurunun da bu trajedide nas\u0131l zarar g\u00f6rd\u00fc\u011f\u00fcn\u00fc ortaya koyuyor. Alevler i\u00e7inde hayatta kalmaya \u00e7al\u0131\u015fan bir k\u0131z \u00e7ocu\u011funun, \u201cAlevleri g\u00f6rd\u00fc\u011f\u00fcm\u00fczde \u00f6ld\u00fc\u011f\u00fcm\u00fcz\u00fc d\u00fc\u015f\u00fcnd\u00fck. Cehennemde oldu\u011fumuzu sand\u0131k,\u201d \u015feklindeki ifadesi, bir \u00e7ocu\u011fun saf korkusunu, ayn\u0131 zamanda o korkunun yaratt\u0131\u011f\u0131 insanl\u0131k d\u0131\u015f\u0131 ko\u015fullar\u0131 hat\u0131rlat\u0131yor. Thrall, bu ifadelerle yaln\u0131zca bir an\u0131 de\u011fil, o an\u0131n ta\u015f\u0131d\u0131\u011f\u0131 derin yank\u0131lar\u0131 da okurla payla\u015f\u0131yor.<\/p>\n\n\n\n

Siyonizme Ele\u015ftirel Bir Bak\u0131\u015f<\/strong><\/p>\n\n\n\n

Thrall\u2019\u0131n kitab\u0131nda, liberal siyonist g\u00f6r\u00fc\u015flere y\u00f6nelik ele\u015ftiriler \u00f6nemli bir yer tutuyor. Ona g\u00f6re, siyonizmgenellikle \u201cYahudilerin kendi kaderini tayin hakk\u0131\u201d olarak tan\u0131mlan\u0131yor, ancak bu tan\u0131m eksik kal\u0131yor. Siyonizm, bir halk\u0131n kendi kaderini tayin hakk\u0131ndan \u00f6te, ba\u015fka bir halk\u0131n vatan\u0131nda bir devlet kurma giri\u015fimidir. Thrall, bu ger\u00e7e\u011fi okuyucunun g\u00f6zleri \u00f6n\u00fcne sererken, \u00e7at\u0131\u015fmay\u0131 yaln\u0131zca haklar ekseninde de\u011fil, bu haklar\u0131n tarihsel ba\u011flamdaki sonu\u00e7lar\u0131 \u00fczerinden tart\u0131\u015f\u0131yor.<\/p>\n\n\n\n

1948\u2019de \u0130srail\u2019in kurulu\u015fundan \u00f6nce Filistin\u2019in n\u00fcfusunun %95\u2019inin Filistinli oldu\u011funu hat\u0131rlatan Thrall, siyonizmin bu ger\u00e7eklikte bir Yahudi devleti kurma hedefini sorgulat\u0131yor. Siyonizme y\u00f6nelik ele\u015ftirinin, bir halk\u0131n haklar\u0131na kar\u015f\u0131 \u00e7\u0131kmak de\u011fil, ba\u015fka bir halk\u0131n haklar\u0131n\u0131 ihlal eden bir sistemi sorgulamak oldu\u011funu vurguluyor. Bu yakla\u015f\u0131m, \u00e7at\u0131\u015fmaya dair ahlaki ve tarihsel bir sorgulama s\u00fcrecini te\u015fvik ediyor.<\/p>\n\n\n\n

Thrall, i\u015fgalin \u0130srail toplumunda b\u00fcy\u00fck \u00f6l\u00e7\u00fcde g\u00f6rmezden gelinmesini de analiz ediyor. \u0130srail vatanda\u015flar\u0131n\u0131n \u00e7o\u011fu, zorunlu askerlik arac\u0131l\u0131\u011f\u0131yla bu i\u015fgalin bir par\u00e7as\u0131 olurken, g\u00fcndelik hayatlar\u0131nda bu ger\u00e7eklikle y\u00fczle\u015fmekten ka\u00e7\u0131n\u0131yor. Tel Aviv\u2019in kafelerinde veya Bat\u0131 Kud\u00fcs\u2019\u00fcn sokaklar\u0131nda dola\u015f\u0131rken, i\u015fgalin varl\u0131\u011f\u0131 hissedilmiyor. Ancak Thrall, bu \u201cnormalle\u015fme\u201d h\u00e2linin, devlet politikalar\u0131n\u0131n bilin\u00e7li bir sonucu oldu\u011funu belirtiyor.<\/p>\n\n\n\n

\u0130\u015fgale dair devlet s\u00f6yleminin, g\u00fcvenlik gerek\u00e7esiyle me\u015frula\u015ft\u0131r\u0131lmas\u0131, toplumun geni\u015f kesimlerini bu durumu sorgulamaktan al\u0131koyuyor. Thrall, bu durumu bir t\u00fcr kolektif ink\u00e2r olarak tan\u0131ml\u0131yor ve \u0130srail toplumunun b\u00fcy\u00fck k\u0131sm\u0131n\u0131n i\u015fgali bir \u201cuzak ger\u00e7eklik\u201d olarak alg\u0131lad\u0131\u011f\u0131n\u0131 ortaya koyuyor.<\/p>\n\n\n\n

Bir Duvar\u0131n Ard\u0131nda: Kud\u00fcs\u2019\u00fcn G\u00f6r\u00fcnmeyen Hik\u00e2yesi<\/strong><\/p>\n\n\n\n

Salam\u2019\u0131n bireysel trajedisi ve \u00c2bid Sel\u00e2me\u2019nin yas s\u00fcreci, yaln\u0131zca Filistin\u2019in bir k\u00f6\u015fesinde ya\u015fanan ac\u0131lar de\u011fil; t\u00fcm d\u00fcnyan\u0131n insanl\u0131k onuruna kar\u015f\u0131 sorumlulu\u011funu sorgulamas\u0131 gereken bir \u00e7a\u011fr\u0131d\u0131r. Thrall, okuyucuyu bu trajedinin bir tan\u0131\u011f\u0131 olmaya davet ederken, bir yandan da sorar: Adaletsizli\u011fin k\u00fclleri aras\u0131nda nas\u0131l bir vicdan ye\u015ferebilir?<\/p>\n\n\n\n

\u00c2bid Sel\u00e2me\u2019nin Hayat\u0131ndan Bir G\u00fcn, yaln\u0131zca bir trajedinin anlat\u0131s\u0131 de\u011fil, ayn\u0131 zamanda insanl\u0131\u011f\u0131n \u00e7eli\u015fkilerini, dayan\u0131\u015fma ve adaletsizlik aras\u0131ndaki ince \u00e7izgiyi ke\u015ffediyor. Thrall, bireysel hikayeler \u00fczerinden, \u00e7at\u0131\u015fman\u0131n karma\u015f\u0131kl\u0131\u011f\u0131n\u0131 ve insani boyutunu g\u00f6zler \u00f6n\u00fcne seriyor. Kitap, okuyucuyu hem empatiye hem de ele\u015ftirel d\u00fc\u015f\u00fcnceye davet ediyor, \u00e7at\u0131\u015fman\u0131n g\u00f6r\u00fcnen y\u00fczeyinin \u00f6tesinde neler oldu\u011funu anlamaya \u00e7al\u0131\u015f\u0131rken, her birimizin bu insanl\u0131k trajedisindeki yerini sorgulamaya te\u015fvik ediyor.<\/p>\n\n\n\n

Thrall\u2019\u0131n \u00e7al\u0131\u015fmas\u0131, bireysel hikayeler \u00fczerinden geni\u015f bir \u00e7at\u0131\u015fman\u0131n anatomisini sunuyor. Eser, okuyucuyu insani empatiye te\u015fvik ederken, ayn\u0131 zamanda adaletsizlik ve \u00e7at\u0131\u015fman\u0131n karma\u015f\u0131kl\u0131\u011f\u0131na dair derin bir analize davet ediyor. \u00c2bid Sel\u00e2me\u2019nin Hayat\u0131ndan Bir G\u00fcn, sadece bir trajediyi anlatmakla kalm\u0131yor, ayn\u0131 zamanda insanl\u0131\u011f\u0131n ortak sorumlulu\u011funu ve \u00e7eli\u015fkilerini g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Yazar: Nathan Thrall<\/em><\/strong><\/p>\n\n\n\n

Yay\u0131nevi: Ketebe Yay\u0131nlar\u0131<\/em><\/strong><\/p>\n\n\n\n

T\u00fcrk\u00e7esi: \u015euhedanur Hac\u0131alio\u011flu<\/em><\/strong><\/p>\n\n\n\n

Sayfa Say\u0131s\u0131: 280<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Nathan\u00a0Thrall\u2019\u0131n\u00a0kelimeleri, sessiz bir \u00e7\u0131\u011fl\u0131k gibi Kud\u00fcs\u2019\u00fcn dar sokaklar\u0131ndan y\u00fckselir; bir halk\u0131n k\u0131r\u0131lgan hik\u00e2yesini, b\u00fcy\u00fck bir trajedinin yank\u0131lar\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Kud\u00fcs\u2019te ya\u015fayan bir Yahudi Amerikal\u0131 olarak, \u00e7a\u011fda\u015f \u0130srail-Filistin \u00e7at\u0131\u015fmas\u0131n\u0131n en derin karma\u015falar\u0131n\u0131 ele al\u0131rken, ger\u00e7ekli\u011fi oldu\u011fu gibi, ne abartarak ne de basitle\u015ftirerek okuyucuya ta\u015f\u0131r.\u00a0Thrall\u2019\u0131n\u00a0yaz\u0131lar\u0131nda, \u00e7at\u0131\u015fman\u0131n a\u015fik\u00e2r dram\u0131ndan ziyade, hayat\u0131n g\u00f6zden ka\u00e7an detaylar\u0131, kaybedilen \u00e7ocukluklar ve unutulan hik\u00e2yeler […]<\/p>\n","protected":false},"author":1,"featured_media":639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[52,51,50,34,54,55,53],"class_list":{"0":"post-636","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kitap","8":"tag-a-day-in-the-life-of-abed-salama","9":"tag-abid-salame","10":"tag-abid-selame","11":"tag-kitap","12":"tag-kitap-degerlendirme","13":"tag-kitap-kritigi","14":"tag-nathan-thrall"},"yoast_head":"\nMilad \u00d6ld\u00fc, Peki Vicdanlar? - \u00c7a\u011f\u0131 Okuma Denemeleri | Mehmet K\u0131rtorun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mehmetkirtorun.com\/index.php\/2025\/11\/22\/abid-selamenin-hayatindan-bir-gun-milad-oldu-peki-vicdanlar\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Milad \u00d6ld\u00fc, Peki Vicdanlar? - \u00c7a\u011f\u0131 Okuma Denemeleri | Mehmet K\u0131rtorun\" \/>\n<meta property=\"og:description\" content=\"Nathan\u00a0Thrall\u2019\u0131n\u00a0kelimeleri, sessiz bir \u00e7\u0131\u011fl\u0131k gibi Kud\u00fcs\u2019\u00fcn dar sokaklar\u0131ndan y\u00fckselir; bir halk\u0131n k\u0131r\u0131lgan hik\u00e2yesini, b\u00fcy\u00fck bir trajedinin yank\u0131lar\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. 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